He grabbed the headlines but he got a dirty job done, too.īut as historic and entertaining though "Public Enemies" is, if we're moved, it's all due to the guys Mann paid the big bucks to. Most interesting is Crudup's turn as Hoover, showing us that we can rethink the FBI's chief sexuality without it diminishing his reputation for ruthlessness or simple competence. The film is gripping and efficient, introducing other "public enemies" such as Baby Face Nelson (Stephen Graham) and Pretty Boy Floyd (Channing Tatum), but shortchanging them. Oscar winner Marion Cotillard plays the hat-check girl Dillinger fell for, a woman who questions him but still is drawn to him after learning what he does. He and his team blunder several attempts to nab and hold "Public Enemy No.
#Johnny depp public enemies hat free
It's call Spin the Dial."īale, free from his Bat Burden and that hoarse voice he takes on under the cape, makes Purvis a man willing to pull the trigger but learning on the job.
This Hoover is a fey class snob wanting to fill his crime-fighting corps with college graduates, but willing to allow hardcases in to torture so that he can "get his man."ĭepp, sporting a scar and a mustache, digs into the glib, winking smart-aleck in Dillinger, such as when he strong-arms a bank officer into opening a safe. This Dillinger is capable of brutal beatings or killings. Edgar Hoover (Billy Crudup) as equally enamored of publicity, equally willing to cross the line. Mann goes for something more ambiguous, showing Dillinger and FBI chief J. It is the closest hat we have to the Indiana Jones movie. Sometimes, it's been a moral fable _ intrepid, incorruptible G-men hunting down ruthless thugs. The Federation IV is a world famous hat for its authentic pre WW2 design. This history is usually filmed as period parable _ the populist Dillinger toying with the cops, playing the Robin Hood to bank customers and meeting his end through the treachery of a woman. Johnny Depp as John Dillinger and Christian Bale as FBI agent Melvin Purvis make this retelling of an oft-told tale from "the Golden Age of Bank Robbery" riveting, rousing entertainment.ĭirector Michael Mann, who gave us "Heat" and "Miami Vice," makes the violence immediate (though not shocking) and the story line straight and narrow in this re-interpretation of the standard 1930s gangster epic. “When you’re in Chicago for a few days in the winter, you understand why hats were so big.Anyone doubting the role "charisma" plays in the movies need look no further than "Public Enemies," an old fashioned gangster picture built on simple star power. “Like in a western, a hat is a big part of the character in a gangster movie,” says Atwood. “I used real clothes from the era to copy from but we tried to make the suits less tight-fitting than they were at the time so the actors could do the action scenes.”Īs for the hats in the film, Atwood borrowed authentic wooden blocks from the period on which to manufacture new ones in felt. The Feds try to take down notorious American gangsters John Dillinger, Baby Face Nelson, and Pretty Boy Floyd during a booming crime wave in the 1930s. “It was such a beautiful period, especially for menswear,” she adds. I know his body and what he likes and doesn’t like but you don’t want to get into a rut with an actor you’ve worked with before. “If you start to put Johnny Depp in clothes, it’s hard for him not to look sexy,” she laughs. Its an audacious opening gambit, and when. They had their relatives, molls and friends go out and shop for them and buy the clothes.”Ītwood was reunited with Depp on the film, after she had dressed him on four earlier films (and twice since). Johnny Depp plays the charismatic John Dillinger in 'Public Enemies.' Only this time hes just visiting - and hes taking his friends out with him. He wouldn’t save the money, he would spend it and they would buy high-end stuff. “He didn’t want an uptight period movie.”Ītwood read up on Dillinger, played by Johnny Depp in the film, and “his boys” and worked out exactly the kind of fabrics they would have worn. “Michael was interested in authenticity and thorough research but he also wanted to give it a little tweak to make it look cool by contemporary standards,” she says. “I have never done a whole film in that period and I always wanted to do a gangster movie,” explains Atwood, whose extensive credits include The Silence Of The Lambs, Philadelphia, Sleepy Hollow, Chicago, Memoirs Of A Geisha, Sweeney Todd and next month’s release Nine (her third costume design credit was Mann’s first feature, Manhunter). Oscar winning costume designer Colleen Atwood had never worked on anAmerican gangster story before, so she leapt at the chance to be involved in Michael Mann’s Public Enemies, the epic saga of John Dillinger set in Great Depression Chicago.
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